A SHOT IN THE FOOT  opens with a scene in woman's bathtub, a place of vulnerability and silence. However, this brief moment of peace is shattered by a call to mission, and she is forced to transform into a hardened assassin. Through the use of extreme wides and singular light sources, the director Diane Lac captured the absurdity of the assassin’s world and the intimacy of her internal struggles. Each scene’s color palette was carefully designed to reflect the emotional mental-scape of her personal journey, from successful killing sprees, raving to numb the pain, and her inevitable downfall.

Mirroring her relentless efforts to succeed, the crew worked with a limited budget, no permits, and shot on 15-year-old expired 35mm Fujifilm stock at night. This film is more than just a stylish action thriller—it's a statement of defiance. By placing an Asian woman at the forefront of the narrative, Lac challenges stereotypes and showcases the power and complexity of women in traditionally male-dominated genres. A SHOT IN THE FOOT is a reflection of director's own experiences as a filmmaker and an artist. It's a testament to the struggles and triumphs of those who dare to chase their dreams, even in the face of overwhelming odds.

Diane Lac further says: A SHOT IN THE FOOT was borne from a deep-seated angst—angst towards the creative industry for its relentless demands, and towards myself. It’s a reflection of the complex emotions that come with being a freelancer in Los Angeles. As a director and photographer, I often feel like an assassin moving through the motions with a precision that feels more mechanical than human. My relentless commitment to art is fueled by a need to achieve undying perfection. In this film, I wanted to explore the messy, chaotic reality that lies beneath the surface of the exhausting facade.